Frank Reaugh painted a life he loved but a life that was already gone by the time he memorialized it. He painted from sketches he had drawn as a young man. He loved the big skies, the eternal prairies, the longhorn cattle, and the cowhands. He lovingly recreated these as best he could in paintings which are evocative and, to me at least, deeply moving.
Charles Goodnight was a giant of a pioneer. Far more exciting than the Rock Hudson and James Dean characters in Giant, the 1956 smash movie hit about early 20th-century Texas. And, of course, Mr. Goodnight and his friend, Oliver Loving, the characters who were fictionalized in Larry McMurtry’s novel, Lonesome Dove, were not filthy-mouthed but were much more colorful than those depicted in the novel and subsequent smash TV mini-series. And, yes, it is true that Goodnight returned his friend’s body back to Texas for burial in Weatherford, as in the novel.
At the age of 9 he rode bareback behind his parents’ covered wagon. At 14 he was hunting with the Caddo Indians beyond the frontier. At 25, he scouted for the Texas Rangers in the war with the Comanches and Kiowas. He preserved the Buffalo; founded a college; encouraged the settlement of the plains, and “led a long fight for law and order.” He died in 1929.
Both men, and much more, are featured in the Panhandle-Plains Historical Museum in Canyon, Texas, about a twenty-minute drive south of Amarillo. If you are in the area, you might check it out if you have an afternoon to spare.
My father was born twelve years before Mr. Goodnight passed away and, looking back, I realize I knew men who grew up during that generation. I recall sitting at the El Pao bar or in the pocket billiards area in the presence of men now long gone. One, Mr. Marley, a Texan, would tease me saying he had more hair than my father. Mr. Marley was completely bald (naturally, that is; it was an era when shaved heads were not “in”). That would trigger me in defense of my father (in an era when triggers were something on guns). Mr. Marley would howl with laughter, and I would complain to my father, who would also be laughing. I can still see him walking from the club to the bachelor quarters, wearing his ten-gallon hat, the only one in the camp with such accoutrement. Mr. Marley was not a young man, but his expertise was in setting up mining camps and that was in great demand in that era.
I can see men like Mr. Marley growing up in the presence of men like Mr. Goodnight. Men of great stamina, good humor, and sterling character.
And, like Frank Reaugh, I am blessed to have the ability to remember a life that is no longer, but that can be evoked and which has lessons for us today, I believe.
A childhood friend met me in Caracas about fifteen years ago and in catching up on our respective lives, I spoke about Texas and it’s heritage of independence. My friend laughed, “Texas is just like [the Venezuelan western state] Zulia!”
Of course! There are some similarities between Texas and the land of my birth. Both are rugged lands with stark beauty, tempting landscapes, and beguiling skies. And, like Texas, Venezuela is an enchanting land but if you are careless, if you take things for granted, if you treat it as a sandlot or a plaything, it can be fatal.
Up to that conversation, I had seen great similarities between Kalamazoo, Michigan, and El Pao, the place of my birth. The friendliness and easy hospitality of southwest Michigan still enchants me, even after thirty years, and allows for easy and favorable comparison to the mining town of my childhood, including the fact that I made lifelong friends in both places. And the ruggedness of Texas (which, by the way, also characterizes the Michigan Upper Peninsula) allows for easy and favorable comparison to the striking landscape of Venezuela.
