Mining camp residents spotted him occasionally, and only when they journeyed to or from San Felix, the port town on the banks of the Orinoco River, about 40 kilometers north. If they were lucky, their trip would coincide with an El Loco sighting. He’d be seen walking jauntily, swinging his arms in an exaggerated, yet nonmilitary-type, arc; unmindful of the storms of dust raised by cars or trucks as they passed him, always slowly, because everybody wanted to see El Loco and laugh with him, and the sightings seemed too few and too far between.
He’d always laugh and lift his arms in childlike, yet firm salute; one hand always gripping a staff, as if some sort of rudderless Moses wandering the El Pao – San Felix road for generations.
Probably no American had seen him up close. But, judging from 30 or 40 feet away, a consensus of sorts had developed among them affirming El Loco was probably in his early thirties
He seemed to be much taller than average in that era and in those regions, maybe five feet nine or ten inches; wiry, strong, virile, and with huge hands. These judgments-from-afar were about as much as could assuredly be said about him, as the distance did not permit inspection of his physiognomic features. More on that further below.
Of course, everybody understood that someone had to be “taking care of” El Loco, else he could not survive. Here, perhaps, the legendary Venezuelan hospitality played a critical but hidden role.
An American cattleman with business interests in Venezuela once wrote his personal impression of Venezuelan society saying that it was the most open and cordial in all of South America. He further noted that, unlike the Argentines and Brazilians, who used hotels or restaurants or clubs to entertain visitors, the Venezuelans entertained in their own homes; in that respect, he concluded, they were very much like the Americans.
That observation was true, though too limited. Venezuelans didn’t invite only known, or business, guests to their homes; they compelled strangers, especially the poor, and the “locos”, apparently mindful that, at times, some, unawares, had entertained angels.
Then weeks would go by with no one having seen him. Where was he? At such times I would hear speculation when accompanying my mother at the commissary in the Otro Campo (known to the Americans as the labor camp), or with my father in the American Camp bar. Some voices affirmed, as if they were eye-witnesses, that El Loco was still on the road, but, in fact, no drivers or passengers had seen him. Others rumored El Loco was on jungle paths, headed temporarily for other destinations, as if looking for side adventures to spice up his El Pao – San Felix routine. Still others did not really care or think about it, and just assumed El Loco would reappear on his favorite road soon enough. And he eventually did, as if he had been nowhere else. As if he would live forever.
Regardless of opinions as to his whereabouts, the Venezuelans along the El Duo road just shrugged, confident in the truth of the old Spanish aphorism, “God takes care of the widows, the orphans, and the crazies.” It did not occur to them that God used them to do the caring.
El Loco walked with a swinging gait, a long, thick staff in one hand. His dusty jet-black hair shagged over his collar and a bit over his ears. He always walked with, never against, the traffic. Whenever I heard or read about a man in rags, I’d picture El Loco. His rags were always in khaki, just like the men in El Pao, only very worn and torn. And, instead of a dull yellow, El Loco’s khakis seemed rusty red.
Once, on a drive to San Felix, we saw him up close.
As we approached him in our car, to my utter, indescribable delight, El Loco swung round and stopped, looking toward the Oldsmobile as it slowly approached. El Loco began jumping in place, raising his arms and waving them. He was strong; he could wave the arm carrying that staff as easily as the other. Then he yelled a loud, croaking-like cheer as he laughed. His entire face laughed. And his teeth shone a bright white.
To me, laughing with my parents as we all saluted El Loco, it seemed even the Oldsmobile laughed. We drove slowly by El Loco, as we waved at him while he waved back, croaking, yelling, laughing, screaming, jumping. His cheeks’ bony arches seemed like sharp hills guarding his oviform eyes, whose color matched his hair, only brighter. And they seemed, to the boy, to be looking right into his own eyes.
Unlike most adults, El Loco was able, with absolutely no awkward self-consciousness, to look at someone in the eye, no matter what the age, and sustain that look until naturally broken. I just knew El Loco looked only at me, as if he knew me. As if we’d met before. Somewhere. There was no fear in me. On the contrary, like all children, I considered El Loco as very approachable, a dear friend and protector.
I stuck my head out the back window resting it on my arms on the frame as I looked back at El Loco, who was still jumping and yelling and laughing, forming a striking, puppet-like silhouette against the green, as the dust rose behind the car.
What most knew about El Loco was limited to the fact that he spent his days and years striding between El Pao and San Felix. Clearly folks cared for him; after all, it was assumed, he ate and slept. The I recall once, and only once, during an unusual mid-day drive to San Felix, seeing El Loco sitting peaceably in a chair in the front, porch-like structure of one of the cabins off the road. The farmer sat across from him, as the wife served him lunch and the children stood by. Sometimes El Loco would not be seen for what seemed to be weeks, before he’d reappear again on the road bringing joy to folks, especially children, who drove by.
I don’t remember the last time I saw him. He just melted away, like a mirage, into the jungle and before I knew it, I realized I had not seen him in years, maybe decades.
But I think about him. I can see him walking firmly, soldier-like, on the right side of the road, gripping his staff with his right hand, wildly swinging the left. El Loco whirls round and there is that wide grin once again, mouth way open, white teeth flashing. He lets off that loud cheer as he raises his hand and staff, pointing to the heavens.
1959 Oldsmobile Delta 88. Ours was white, not two-toned. As my father used to say, “Se come la carretera.”[Roughly translated, “She swallows the road.”]Picture a cross between Henry Silva and Anthony Perkins in old, raggedy khakis, with hair more like Perkins’, but a bit longer, and you’d have an approximation of El Loco as I remember him from early childhood.Clearing and building the El Pao-San Felix road. The period I remember most about El Loco was when the road was unpaved.
Prep time for this blog has had me looking through old journals and publications partly because I get a kick out of the more un-self-conscious, optimistic (exuberant?) mid-20th century reporting compared to today’s dour, blame-America-first, Chicken Little iterations.
Something else that impresses me upon reading this over 70 years after its publication, is how accurate it was in reflecting the plans being made in 1949. There were, of course, some changes to the plans, as there are in all good plans. However, these great American companies were pretty thorough in their operations.
Enjoy:
When the Conquistadores of old Spain explored the jungle country of eastern Venezuela four centuries ago, the native Indians told them tales of a strange mountain which attracted lightning. Later the Spaniards saw for themselves this magic mound which, when struck by a lightning bolt, game forth a spray of flashes. The Spaniards dubbed the mountain “El Florero” — the Flower Pot — because the lightning flashes looked like flowers growing from the peak.
Today that mound has been found to hold one of the world’s richest iron-ore deposits.
Credit for that discovery goes to an alert Venezuelan mining inspector, Eduardo Boccardo. In 1926 he determined to penetrate beyond the superstitions of the natives and to find out why the mountain was one of the spots most frequently struck by lightning on the South American continent. What he discovered was a fabulously rich lode of iron ore which, by magnetic attraction, drew lightning to the mountain. The Spaniards, intent upon their quest for gold and silver, had passed up a deposit so valuable that even now its riches can be only estimated.
Surveys of that part of the mountain granted to Boccardo show that about 35,000,000 tons of mineral rich in iron underlay his concession. Assays have proved that this ore actually is 55 to 68 percent iron. Absolutely pure iron ore is made up of 72 percent iron and 28 percent oxygen. The iron content of Minnesota’s famous Mesabi range is about 57 to 63 percent. On this basis, the Flower Pot represents one of the most important discoveries of the century in the field of metallurgy.
Naturally, it didn’t take industry long to jump into this whopping mountain of ore. Today the Iron Mines Company of Venezuela, organized as a subsidiary of the Bethlehem Steel Company of the United States, already has a small army of employees in the jungles near the Orinoco. Their task is to form a modern mining industry in the heart of the forests. They are at work between El Pao, the ore site, and Palua, the loading point on the Orinoco.
The task of these workers is staggering. They must build the mines and the port, highway and railway — even their own homes in the wilderness. Already they have completed a highway more than 14 miles long which eventually will serve as the right-of-way for a standard-gauge railway, the vital artery from the mines to the river. This railroad will have a steep grade from sea level to the mines.
When the harbor and dock installations, the roads and railways finally are completed, the ore will move by truck and train from the mines to the ships on the Orinoco. It then will travel aboard a fleet of ore carriers, especially built for the purpose, to the blast furnaces at Baltimore, Md.
It is estimated that production will rise to 3,000,000 tons of ore annually from ore reserves that will last a quarter of a century.
Already rolling along the uncompleted rail line is a 1500-horsepower diesel locomotive. When the track is completed, the railroad will have four locomotives, 100 ore cars with a capacity of 70 tons each, eight boxcars, four tank cars and a crane.
Before the end of this year the ore will begin to flow from the mines atop the magnetic mountain. There crews especially trained for the job will perforate and excavate the rock and earth, which will be picked up by four gigantic electric shovels each capable of taking a huge bite out of the ground. The shovels will load the ore into trailer-trucks hauled by tractors. From there it will be taken to big ore crushers — one of them said to be the largest in the world. The fragments of crushed ore will be carried by an aerial cable arrangement to the waiting ore cars on the railway.
It is estimated that about 10,000 tons of the rich earth will be hauled down the mountainside every working day.
When the ore reaches the harbor, it will be dumped into a huge storage area. An ingenious series of chutes at the base of the area will drop each load into an underground conveyor installed in a tunnel. After passing through the earth, it will climb up a huge loading bridge which extends like a pointing finger over the waters of the Orinoco. The load will slide by toboggan into 4000-ton lighters. Tugs then will pick up six of the lighters form them into a train and haul them downriver to the Gulf of Paria. From there the new 24,000-ton ore carriers will take the ore by ocean to Baltimore.
This modern industrial system in the heart of the jungle is within the orbit of Ciudad Bolivar, the principal river port of the Orinoco and the administrative and financial center of the region watered by the river.
Almost due south of Ciudad Bolivar the United States Steel Corporation has been conducting explorations of another area that appears to have huge ore deposits. it seems likely that the same vein which crops out atop the magnetic mountain also appears in this new area [the author was correct: that ‘new area’ became known as Cerro Bolivar, one of the greatest ore finds ever].
Reports state that the mineral deposits found in this second area are of a high quality, satisfactory for smelting in open hearth furnaces.
These two ore strikes are the second great boon to Venezuelan national within the past half-century. The first was the discovery of petroleum around Lake Maracaibo. Huge investments in drilling and pumping equipment, pipe lines, railways, bridges, community settlements, hospitals, and schools have been made by the participating oil companies.
Venezuela has enacted a law which requires the oil companies, both foreign and national, to refine within the country a percentage of the crude oil that is recovered. The purpose, of course, is to have a supply of domestic oil. It is anticipated that similar legislation will apply to recoveries of iron ore, and that eventually there will be smelting operations within Venezuela [a major understatement, of course].
Such a development would place Venezuela in the forefront of South American nations which at the turn of the century were dependent upon agriculture — cattle, coffee, sugar, cacao, tobacco, and rubber growing.
Thus the magic mountain that attracts lightning may revolutionize the economy of a nation.
Ore Crusher (one of the largest, if not the largest at the time, in the world) in El Pao. Note the administrative (American) camp in the background.Loading Bridge on the Orinoco River Mishap in building the right-of-way
Yes, it’s my favorite season. You can blame my parents for that. They abused us by making every effort to ensure we children experienced the joy of Christmas every year we lived in El Pao. Did they not realize that those memories they took such pains to create would endure throughout all the years of our lives? For shame.
They also forced us to receive visits from my mother’s side of the family who, every Christmas, drove over an hour on the dirt/rock road (later, when the road was asphalted, it took 45 minutes or so) to our house in El Pao for Christmas dinner (something we’d reciprocate by visiting them, every year, on New Year’s Day). Ah, what visits! All the laughter and joy. How did we ever endure such mistreatment?
We even believed in Santa Claus! Yikes!
I recall rushing through our front screen door, which led to the screen-enclosed, spacious porch area, sparsely outfitted with a rattan lounge chair and small sofa to the left, and a tall wooden bookcase, built to order by Señor Montaño, the camp’s carpenter, to my right. These furnishings seemed, to me, to be permanently covered by what appeared to be clear plastic shower curtains to protect them from the mists and drizzle which would drift in through the screen windows during the rainy season. However, since Christmastime was not the rainy season, the diaphanous coverings were absent. But I’d see them anyway.
Then I’d hear the at once familiar diapason sounding forth from the living room, where the record player sat. The vinyl disc was a Christmas album by The Randolph Singers whose broad tessitura instantly announced the upcoming joyous season. It must be 1959, because we are only two children. To this day, whenever “The Boar’s Head Carol” or “The Wassail Song” or “Fum Fum Fum” is performed on radio or stage or disc, I can’t help but to compare such to The Randolph Singers.
A few nights later, the camp would shine with a host of blinking white lights interlaced among the scores of steady, multi-colored bulbs entwined throughout overhangs, bushes, and large boughs, and stately trunks and throughout the vast coronas of the Araguaneys. The lights were so many that the camp seemed a mini-Times Square in the eye of the jungle, forever stamping in my memory an enduring association of lights with Christmas.
A most apt association indeed as Jesus Christ is the Light of the world.
The aguinalderos would soon begin their sporadic visits, going door to door, singing with good cheer and hilarious make-them-up-as-you-go carols. The aguinalderos were the Venezuelan version of 20th century descendants of the medieval jongleurs, or English and French minstrels. These men were adept at playing the “cuatro”, a four-string, mini-guitar, the tambour, a lightweight, slender, but sufficiently long and loud percussion instrument, maracas, and, often, the guiro, a conical instrument with washboard-like grooves across which the musician would rasp a small wooden board.
But these men were even more adept at making up songs with pointed, relevant lyrics, often detailing some physical characteristics of the house at which they sang, or quirks of its inhabitants, along with some historical anecdotes about them; but all tying back to Christmas somehow, and all at the spur of the moment. Those who knew Spanish, would laugh uproariously, fully understanding and marveling at the jokes, the light sarcasm, the sweetness, but most of all, the agility. Those homes with little or no Spanish knowledge enjoyed the lively music, but only for a little while because it quickly began to sound repetitious, which it was to those not understanding what was being said.
Another two memories which come immediately to mind at Christmas.
Mrs. Bebita De La Torre had a beautiful and sweet singing voice. At Christmastime, events would be held at the camp club. One Christmas season night, it seemed the entire camp population fit into the main club hall and we stood around the hall about two lines deep and sang “Silent Night” in English and Spanish. I happened to have been placed right next to Mrs. Bebita. To me, her voice seemed to waft, to carry across the hall, even though it was not loud or overwhelming, and certainly not ostentatious. Towards the last verse, I just pretended to be singing, because I preferred to just hear her as she sang “Silent Night” next to me.
And then there’s “The Christmas Song”. The record player sits across the room from the tree under which many wrapped presents are placed and we children are being readied for bed. The silky soothing voice of Nat King Cole issues forth from the player and I know it is Christmas night.
Should you like to take 6 minutes to see snippets of a family Christmas in 1958. You’ll see four generations here, including the pipe smoking great-grandmother. This is around the same time of the events in this post.
Should you like to bask in the late, great Nat King Cole’s voice singing “The Christmas Song” Christmas 1961, the last Christmas in the “old house”. Early Christmas season, circa 1964, in the “new house.”
Uncle Alfred and Cousin Janis, early Christmas season, 1960, Miami. Aunt Sarah in background.
In El Pao in 1958, we children did not know that, back in the States a horrible drama was unfolding, which, as I saw decades later, confirmed a comment I had heard. Something about breakdowns in the fringes of society, if left unaddressed, would take center stage.
This was an era when, for the most part, certain subjects were not discussed in the presence of children. I recall sitting in the El Pao bar with WWII veterans and never hearing a single curse or blasphemy. So much was the care to not offend children, that when Hollywood profanity was unleashed in the late 1960’s and early 1970’s my shock at the language suddenly present in films was genuine and guileless.
So it does not surprise me that I only heard about the Starkweather murder spree decades later, when movies and at least one rock song were based thereon or alluded thereto.
We children did hear conversations about movies like East of Eden and Rebel Without A Cause. Films which, according to the general tenor of the discussions, reflected disaffected, conflicted, alienated, and mutinous youth. You might call them Jean-Paul Sartre’s offspring. Furthermore, when families were portrayed, the depiction was not flattering.
I remember seeing Rebel Without A Cause during a movie night in the camp. Several things struck me: the father walking around wearing a girly apron; the absence or diminishment of God; an utter incomprehension as to what exactly was bothering the James Dean character; and revulsion at the Dean character’s drinking the family milk directly from the bottle and placing it back in the refrigerator. As usual, I assumed these themes were too profound for children; hence my distaste was probably unwarranted. However, I wasn’t alone in the confusion, as I heard adults talking about it and also expressing less than full admiration.
The series of aforementioned events took place in Nebraska. The protagonists were a nineteen-year-old young man who dressed, combed his reddish hair, and acted like the Rebel’s James Dean; and a thirteen-year-old girl who dressed and acted as much as possible as her Dean-like boyfriend, except her hair was dark brown.
These two could be Exhibit A for those Americans who “knew”, in a guts-knowledge sort of way, that the theatre, of all other arts, had perhaps the greatest influence or effect on behavior. But most did not know the men across the Atlantic who worked obsessively to use the stage and the theatre precisely to influence the society in which they were reared. Men such as Bertolt Brecht and, of even more influence in America, Kenneth Tynan, and a few others, who were transparent in their purpose: to promote hedonism and permissiveness, including the unrestrained use of coarse, blasphemous, profane language on the stage and in public: some, because they believed there was a link between the utter denial of self-denial and their socialistic political agenda; others, because they simply were compelled to tear down whatever Christian pillars remained in what they considered to be a stifling, boring, bourgeois society.
So we should not be surprised that Brecht fervently worked to use art “not as a mirror held up to reality but a hammer with which to shape it.” He also said, “Don’t expect the theatre to satisfy the habits of its audience, but to change them.”
Kenneth Tynan’s oeuvre can probably best be summed up with his, “I hope I never have to believe in God, it would be an awful confession of failure.” Well, he succeeded wildly in coarsening our culture. It is sad to think that, despite his ugly outlook, he did admire C.S. Lewis, who had been his tutor at Oxford. After having read Lewis’s The Hideous Strength, he said, “How thrilling he makes goodness seem — how tangible and radiant!”. It is unfortunate that he did not follow through with this admiration.
I will readily concede that by the time of these men’s work, there was already a demand, however inchoate, in western audiences for the excreta they would put out. But their impact is undeniable, nevertheless.
Of course, it is much easier to tear down than to build up. And the two Nebraska murderers certainly destroyed: a masterful vindication of Brecht, who died a mere 3 years before the events related here, and Tynan, whose influence was greatest in the America of the late 1950’s through the 1960’s. Not to mention the existentialist tenor pervading society, especially youth.
The girl’s parents (mother and stepfather) were opposed to her relationship with the young man and acted to stop it. In addition, the youth’s parents were also opposed, a position which enraged him to the point of physically attacking his father, an event resulting in his expulsion from home.
One night, the angry youth stopped by a gas station in the town where they lived. He pulled a shotgun on the attendant, a young man of twenty-one, married and soon to have been a father. Before long he lay dead, his head blown beyond recognition.
The youth then went to his girlfriend’s house where they killed the girl’s mother, step-father, and two-year-old sister with rifle butt, kitchen knife, and bullets. They stuffed the mother’s body down the outhouse toilet opening; crammed the baby sister’s body in the box that had been used as a garbage can and placed it in the outhouse; dragged the step-father’s body to the chicken coup and left it there.
They then cleaned up the blood in the house and drank pop and ate chips that evening. For almost a week, they remained there, buying food and milk on credit from the milkman, as her family’s corpses rotted nearby. When folks would come by to visit or inquire, they were scooted away by the girl who would tell all that everybody was very sick with a highly contagious flu, an excuse which soon began to wear thin.
They realized they’d have to skip town and decided to go to an old friend of the young man’s family: a seventy-two-year old farmer who often let the boy and his siblings play and hunt on his farm some twenty miles from town.
The murderous couple’s intention was to steal the farmer’s car. And kill him.
After shooting him in the head, wounding his dog as it ran away, and dragging his body to an out building, they spent the night in his house eating and drinking pop.
The next day they drove off but got stuck in mud and had to abandon the car and walk, with the old man’s 22 rifle and handgun. They were befriended by a teenage couple, childhood sweethearts, who offered them a ride. The killers asked them to drive back to the dead man’s farm; this they did, in innocent ignorance.
The seventeen-year-old young man was shot six times in the head; his sixteen-year-old sweetheart was shot once in the head and stabbed repeatedly in the abdomen and pubic area.
Their bodies were hauled to the storm cellar and abandoned there. The killers took their car and drove off, back to town.
There they invaded an industrialist’s home which the youth had often seen during his days as a garbage collector. They repeatedly stabbed the wife in the neck and chest, while finding a moment to break the family poodle’s neck to keep it from barking.
When the man of the house arrived, he was met with the barrel of a gun, but he quickly deflected and began a fight to the death with the killer, who excelled in only one class in school: gym. The fight dragged on but finally the youth got the upper hand and shot the forty-seven-year-old man dead.
The killer couple remembered the maid they had locked up in a bedroom closet. The maid, who was hard of hearing, meekly allowed the degenerate teens to tie her to the bed where she was repeatedly stabbed. They then drove off in the family Packard.
This time they drove west, towards Wyoming. They had car trouble. Seeing a car parked alongside a road, they thought it’d be a good one to steal. Its owner, a middle-aged shoe salesman was sleeping and the youth woke him, only to shoot him nine times in the head. That was to be their last murder victim, Mr. Merle Collison, husband and father. The murderer pushed the body to the passenger’s side and tried to drive off, only to have trouble releasing the emergency brake.
A young geologist saw them and, thinking they were having car trouble, walked up to the driver’s window only to have a gun pointed at him as his eyes glanced at the corpse in the front passenger’s side. He figured he had to fight and so did.
That was a good decision, for while they struggled, a Wyoming deputy sheriff drove by and, seeing the commotion, stopped. The youth jumped back in the Packard, while his girlfriend ran to the sheriff, quickly transforming herself into a damsel in distress.
After a short pursuit, both were in custody and returned to Nebraska where they were tried and found guilty of murder. He, playing the deceased James Dean to the end, was electrocuted in 1959; she made parole in the 1970’s.
Later in life, I apprehended how prescient had been that conversation I had heard, that the breakdowns in the fringes of society were not being explained, let alone denounced.
As severe deterioration was increasingly evidenced here and there (for instance, the Clutter murders took place in Kansas a mere year later), some (many?) parents were closed mouthed about it, believing that “the experts” – teachers, bureaucrats, psychiatrists, clergymen — were better able to deal with it. However, some clergymen, either directed their fury to wine and beer and other irrelevancies (alcohol played no part in this ghastly series of crimes), while others continued slouching their congregations away from the historic faith towards a sort of progressive twentieth century new beginning, cheerfully oblivious that, thus far, more people had been killed in that degenerate century than in any other, while still others preached what was termed an evangelical gospel message, but one that had little relevance to what was happening right before their very eyes.
In an age whose elite was feverishly busy destroying and mocking its Christian foundations, all under the guise of creating a truly “civilized society”, the church should have been dedicating the time and sweat to intellectually and spiritually denounce such intellectual termites.
So it is no surprise that, when it came to parenting, millions of parents of “The Greatest Generation” turned from the Bible to Dr. Spock’s humanistic advice in Baby and Childcare. The results have not been pretty as generations have been trained to look to themselves for solutions as opposed to seeking the Mind of God, our Creator and Redeemer.
To take two noteworthy examples, while parents and churches hearkened to humanism’s siren songs, Marx’s 19th century Manifesto and Connolly’s 20th century “programme” were being promoted in the theatre and university and legislatures throughout the twentieth century and bore spectacular fruit: abolition of the death penalty; equalization of wealth; rehabilitation of criminals; free medicine; food subsidies; decriminalization of homosexuality; easing, if not outright elimination of divorce laws, thereby weakening marriage; children’s rights; elimination of all discrimination; and so forth. Question any of the above today and you will be denounced as a troglodyte. Or worse.
As for teachers, they were coming awfully close to intellectually justifying or at least “understanding” these acts – acts which even children (before twentieth-century-indoctrination took hold) could plainly see were wholly, horrendously unjustifiable by any civilized measure.
As for politicians and bureaucrats, they sought for angles and positioning: the political Freudians, in their myriad manifestations, urged more therapy and, therefore, more dollars to state-funded psychiatrists and psychologists, most of whom represented another, alien, philosophy as opposed to an empirical discipline; the political Quakerians, in their multifarious, contradictory incarnations, urged more jails, as if evil could be transformed into goodness by some inner light emanating from a cell in Sing Sing.
A mere twenty years later and beyond, Hollywood was making, not one, but up to four or more movies, in effect, romanticizing these murderers who were absolutely devoid of any sense of pity or compassion. A major rock star wrote a song about them. And a major publisher was backing a project where the murderous lassie would be able to tell “her side” of the story (she claims innocence, of course).
If you don’t denounce breakdowns in the fringe, you’ll soon see them lionized in the center.
In that era, the paradoxical 1950’s, precious few men forcefully and learnedly tied such actions, whether murder or otherwise, to their antecedent: a loss of the Faith. Lonely preachers valiantly made that case. But they were few.
Typical reactions to such acts were ineffectual because both the action and the reaction proceeded from the same source: an antithetical faith whose genesis occurred way back in Eden, where man determined to decide for himself what was good and what was evil.
Bertolt Brecht (1898-1956)
Kenneth Tynan (1927-1980)
C. S. Lewis (1898-1963)Caril Ann Fugate and Charles Starkweather, convicted murderers.Robert Jensen (17) and Carol King (16), the sweethearts murdered by the killer couple. This was the murder which was tried and for which the James Dean wannabe was executed. Their high school junior class was reduced overnight from 8 to 6. Both were greatly loved and greatly missed. And, decades later, their town was aghast to learn that the murderers held a fascination for some people, including Hollywood.
Robert Colvert (21), murdered gas station attendant. His only daughter, Barb, was born five months later. She still weeps when talking about him, given her recollections of interactions with her mother.
Mr. and Mrs. Ward. He was the industrialist who fought to the death. Still remembered as a generous couple.
Lilyan Fencl, the Ward’s maid. She was remembered as shy, gentle, quiet, and hard working.
Velda Bartlett: Caril Ann’s mother. One of the first murder victims.
Betty Jean Bartlett, the 2-year old step sister of the murderess. They killed her with the butt of a gun.
Murderer statement shortly before his execution in 1959. A self-pitying, alienated sentiment, worthy of Jean-Paul Sartre, who is very much with us still.
Frank Reaugh painted a life he loved but a life that was already gone by the time he memorialized it. He painted from sketches he had drawn as a young man. He loved the big skies, the eternal prairies, the longhorn cattle, and the cowhands. He lovingly recreated these as best he could in paintings which are evocative and, to me at least, deeply moving.
Charles Goodnight was a giant of a pioneer. Far more exciting than the Rock Hudson and James Dean characters in Giant, the 1956 smash movie hit about early 20th-century Texas. And, of course, Mr. Goodnight and his friend, Oliver Loving, the characters who were fictionalized in Larry McMurtry’s novel, Lonesome Dove, were not filthy-mouthed but were much more colorful than those depicted in the novel and subsequent smash TV mini-series. And, yes, it is true that Goodnight returned his friend’s body back to Texas for burial in Weatherford, as in the novel.
At the age of 9 he rode bareback behind his parents’ covered wagon. At 14 he was hunting with the Caddo Indians beyond the frontier. At 25, he scouted for the Texas Rangers in the war with the Comanches and Kiowas. He preserved the Buffalo; founded a college; encouraged the settlement of the plains, and “led a long fight for law and order.” He died in 1929.
Both men, and much more, are featured in the Panhandle-Plains Historical Museum in Canyon, Texas, about a twenty-minute drive south of Amarillo. If you are in the area, you might check it out if you have an afternoon to spare.
My father was born twelve years before Mr. Goodnight passed away and, looking back, I realize I knew men who grew up during that generation. I recall sitting at the El Pao bar or in the pocket billiards area in the presence of men now long gone. One, Mr. Marley, a Texan, would tease me saying he had more hair than my father. Mr. Marley was completely bald (naturally, that is; it was an era when shaved heads were not “in”). That would trigger me in defense of my father (in an era when triggers were something on guns). Mr. Marley would howl with laughter, and I would complain to my father, who would also be laughing. I can still see him walking from the club to the bachelor quarters, wearing his ten-gallon hat, the only one in the camp with such accoutrement. Mr. Marley was not a young man, but his expertise was in setting up mining camps and that was in great demand in that era.
I can see men like Mr. Marley growing up in the presence of men like Mr. Goodnight. Men of great stamina, good humor, and sterling character.
And, like Frank Reaugh, I am blessed to have the ability to remember a life that is no longer, but that can be evoked and which has lessons for us today, I believe.
A childhood friend met me in Caracas about fifteen years ago and in catching up on our respective lives, I spoke about Texas and it’s heritage of independence. My friend laughed, “Texas is just like [the Venezuelan western state] Zulia!”
Of course! There are some similarities between Texas and the land of my birth. Both are rugged lands with stark beauty, tempting landscapes, and beguiling skies. And, like Texas, Venezuela is an enchanting land but if you are careless, if you take things for granted, if you treat it as a sandlot or a plaything, it can be fatal.
Up to that conversation, I had seen great similarities between Kalamazoo, Michigan, and El Pao, the place of my birth. The friendliness and easy hospitality of southwest Michigan still enchants me, even after thirty years, and allows for easy and favorable comparison to the mining town of my childhood, including the fact that I made lifelong friends in both places. And the ruggedness of Texas (which, by the way, also characterizes the Michigan Upper Peninsula) allows for easy and favorable comparison to the striking landscape of Venezuela.
Frank Reaugh (1860-1945)
Frank Reaugh paintings. The last one (immediately above) is “The O Roundup”. It compels one to sit and contemplate it for a while. Charles Goodnight (1836-1929) This is believed to have been the last time Mr. Goodnight was able to ride a horse.
Michigan Upper Peninsula coastline Southwest Michigan coastline Downtown Kalamazoo, Michigan Los Llanos, Venezuela. Los Llanos is a vast area in Venezuela and also eastern Colombia.
One of countless sites on Venezuela’s northeastern coast.
